These works do not rely on embellishment or beautifying the story instead, they speak directly to the senses through their raw honesty. Small wooden panels act as a sensory reservoir for memory, where the natural grain of the material merges with the first features of the place—the home, the local shop, the village bus, and the absent-present faces. They are not merely paintings, but visual sketches and condensed scenes that mark the first chapter of a broader artistic investigation into what remains of the trace when details fade.